Literally Left-handed
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Photo of the author by Chloe Chan
Literally Left-Handed
Reviews with a personal touch.
Recent posts
Lessons from a piano competition part 2: observations
Lessons from a piano competition part 1: preparation
Jonathan Ferrucci x Matthew Johnson at Wimbledon International Music Festival: Bach’s Goldberg Variations
How to be an Individual Artist: Interview with Aïda Lahlou
Preparing for the Chopin Competition: Interview with Yuanfan Yang
Richard Goode’s late Beethoven and Schumann at Wigmore Hall
Playing Messiaen’s “End of Time” Quartet at the Fidelio Café
Pairing Schubert and Wine
Shostakovich’s “Lady Macbeth of Mtsensk” in English at the Proms
My First Time at a French Festival: Part Two
My First time at a French Festival
Iván Fischer and his Grand Budapest Festival Orchestra at Proms
Yunchan Lim owning Rach 4 at BBC Proms
The Fidelio Collective Debuts at Fidelio Café
Enchanting Kantorow at the Proms
Sophia Lim plays Godowsky’s complete Java Suite
Beneath the surface: Lugansky’s Rach 3
Artist Diploma Final Recital Programme Notes
Do you really know what it’s about?: “Poor Things” and the quirky genius of Alasdair Gray
Bavouzet’s Ravel-athon: storm and drama at Wigmore Hall
Creative Minds in Song and Michał Kawecki‘s “My Child”: Telling stories with music
Yunchan Lim takes on the Goldberg Variations
Mao Fujita playing Mozart with the Philharmonia: delicate as bubbles
Nobuyuki Tsujii at Royal Festival Hall: Fearless
Bayerische Staatsoper’s “Lucrezia Borgia”: Minimalist, modern, melodrama
Leif Ove Andsnes at Wigmore Hall: a Deep respect for sound
Sir Stephen Hough at Barbican Hall: a brilliant showman
Daniel Kidane at Wigmore Hall: a new voice drawing from the past
Alexandra Dariescu’s “The Nutcracker and I” at Milton Court
Martín García García at Westminster Cathedral Hall for the Fryderyk Chopin Institute
“Waiting for Godot”, a brilliant way to pass the time
“King Lear”, but make it Korean and Changgeuk
Review: Dmitri Alexeev at the Penderecki European Centre for Music
Review: Karin Miura at St. James’s Piccadilly
Review: Steven Isserlis, Charles Owen and Irène Duval at Fidelio Café
Proms 27 Review: Saariaho, Seong Jin Cho and Strauss
Restaurant review: Omakase at Sushi Yorokobu Bangkok
Standing ovation for Angela Hewitt’s Goldberg Variations
The Yuja Wang Phenomenon at Royal Festival Hall
A creative programme of flute music by Karen Wong and Lance Mok
Anatomy of a Fall: much more than a courtroom drama
Aurélien Pontier: “Joyful Apocalypse” and the Power of Nostalgia
David Mitchell’s Cloud Atlas: visionary masterpiece or experimental flop?
Brahms and Messiaen presented by Anthony McGill and the Kaleidoscope Collective
Full house for Angela Hewitt at Wigmore Hall
A marriage of words and music: “Rachmaninov Songs” at Wigmore Hall
Vadym Kholodenko’s core-shaking Rzewski Variations
Seong-Jin Cho’s Electrifying Beethoven 4 with the LPO
Ana-Carmen Balestra’s Guildhall Wigmore Prize Recital
Charles Owen’s magical recital at Westminster Cathedral Hall
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