Literally Left-handed
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Literally Left-Handed
A blog by Jeremy Chan
Recent posts
Brahms and Messiaen presented by Anthony McGill and the Kaleidoscope Collective
Full house for Angela Hewitt at Wigmore Hall
A marriage of words and music: “Rachmaninov Songs” at Wigmore Hall
Vadym Kholodenko’s core-shaking Rzewski Variations
Seong-Jin Cho’s Electrifying Beethoven 4 with the LPO
Ana-Carmen Balestra’s Guildhall Wigmore Prize Recital
Charles Owen’s magical recital at Westminster Cathedral Hall
Exciting debut for Willow Orchestra and Bogdan Skrypka
Review: Classical Piano meets…comedy show?
Two weeks of making music in the mountains of Québec: Part 2
Two weeks of making music in the mountains of Québec: Part 1
Seong-Jin Cho at the Barbican: Stunning, sensational, and yet…
LPO and Kirill Gerstein: “My Homeland”
Beethoven 4 by Eric Lu, Marin Alsop and the LSO
The World of Tessa Hadley’s Short Stories
CD Review: KaJeng Wong’s “God Pray Love”
Paul Lewis at the Wigmore Hall
William Bracken: Taming the Turangalîla
Matthew Johnson: More than a Musician’s Photographer
Olli Mustonen plays Prokofiev at Wigmore Hall
Clare Hammond on “Ghosts and Whispers”
London Piano Festival 2022: Paul Roberts and Charles Owen exploring Liszt
Noriko Ogawa and Katya Apekisheva at the London Piano Festival 2022
London Piano Festival 2022: Schubertiade
London Piano Festival 2022: A Conversation with co-founder Charles Owen
Tamara Stefanovich at the London Piano Festival 2022
My Final Recital Programme Notes
Igor Levit’s Masterclass at the Royal Academy of Music
“Symphonie Fantastique” by BBC Symphony Orchestra
Observations of a Celestial in an Orchestra
Yoav Levanon’s UK Debut Recital
Pollini at 80
Ballet for the first time!
Critique of the Gould Plan for the Abolition of Applause and Demonstrations of All Kinds, a.k.a GPAADAK
A Musician’s Search for Meaning
Ralph Fiennes’ performance of T. S. Eliot’s “Four Quartets”
Austria trip day 1: Vienna and first impressions
Living and breathing music: my experience at Chetham’s International Piano Summer School
Concert Review: BBC Proms Opening Night
Concert Review: Benjamin Grosvenor for the BBC Radio 3 Rush Hour Concert
Concert Review: Flute, Cello and Piano Trio Recital at St James’s Church, Sussex Gardens
Concert Review: EXAUDI’s Chromatic Renaissance at the Wigmore Hall
Concert Review: London Symphony Orchestra/ Michael Tilson Thomas & Yuja Wang
How I got into Bach, finally
A Day in the Life of an (Online) Conservatoire Student
Unprocessed thoughts: Jane Austen’s “Pride and Prejudice”
5 Reasons Why You Should Study With David Murray
Why you should include Beethoven in your pandemic routine
Classical Music in the Age of Apple Music and Spotify
4 Classical Musicians with Great Instagram Profiles
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